Ursula von Rydingsvard
For more than 40 years, Ursula von Rydingsvard has developed surprising biomorphic constructions, often on a monumental scale. Placed in nature, these works appear like natural concretions formed by erosion or sedimentation, sentient and rivalling with the surrounding trees and foliage, as we have seen in Chaumont-sur-Loire.
21 November 2019 - 11 January 2020
Fabienne Verdier
Galerie Lelong & Co., Matignon - Most of Fabienne Verdier’s paintings are large format. Life size, they are reflecting her body in movement. Typically, a painter sits at her easel on her stool, painting signs that are the abstract image of things seen from afar. Fabienne Verdier has shattered this approach. Her paintings are the real and immediate trace left on the canvas, itself placed on the floor, of the dance of her body which guides the giant, hanging paintbrush, laden with its weight of pigment.
21 November 2019 - 18 January 2020
Juan Uslé
Juan Uslé is a discreet artist who produces a silent, poetic and musical body of work. Away from the hustle and bustle of life, he often paints by night in his house in Saro, Spain, or in his studio in New York, two havens of meditation. His pulsatile and regular movements align with each other, the colours appearing to the rhythm of his heartbeat.
21 November 2019 - 18 January 2020
Picasso, Giacometti, Bacon
In the 20th Century art world, three artists stand out for taking their investigation of the human figure to extremes: Picasso, Giacometti and Bacon. They could only challenge the human form by deforming it to varying degrees of intensity, sometimes going as far as to vandalize and render unbearable the attractive features of the face that centuries of classical art had succeeded in enhancing and imposing. Picasso was obsessed by fragmentation, Giacometti haunted by the flow of lines, Bacon consumed by the dizzying impact of presence, but they all aspired to the same thing: celebrating the elusive and addictive human figure.
21 November 2019 - 18 January 2020
